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Carolina Morel
soprano
"Carolina Morel tem um timbre lindo em todos os registros, uma voz que flui facilmente, preenche o teatro e possui uma delicadeza que ela imbui com cores escuras quando necessário."
Teatro Municipal do Rio de Janeiro, 2023
João Luiz Sampaio, Concerto.com
SIGA
TERRITÓRIO
América Latina - exclusivo
BIO
In 2024, Carolina made her debut as Adina in G. Donizetti's "L'Elisir d'Amore" at the Theatro Municipal do Rio de Janeiro, achieving great success with both audiences and critics.
In the same theater, she also performed roles such as Frasquita in Bizet's "Carmen" and Deolinda in G. Bernstein's "O Caixeiro da Taverna."
In 2022, she portrayed Princess Isabel in the Rio de Janeiro premiere of the opera "O Engenheiro" by Tim Rescala and was part of the cast in "Cartas Portuguesas" by J.G. Ripper, conducted by Isaac Karabtchevsky. She was also a soloist in Rossini's "Petite Messe Solennelle" at Sala Cecília Meireles and participated in the Academia Canto Mozarteum in São Paulo.
Her performances as a soloist in concerts with the OSB Jovem and in Mozart's "Coronation Mass" at Sala Cecília Meireles in 2023; in Lortzing's opera "Die Opernprobe" (UFRJ 2023); "The Little Sweep" by Britten (2015); as Julieta in "O Menino Maluquinho" by Ernani Aguiar (TMRJ, 2016); as the Shepherdess in Puccini's "Tosca" (TMRJ, 2017); and as the 1st Spirit in Mozart's "The Magic Flute" (2018). She has worked under the baton of conductors such as Roberto Duarte, Marcelo de Jesus, Anderson Alves, Felipe Prazeres, and André Cardoso.
She has performed numerous recitals of Brazilian chamber music with Trio Oré and starred in the musical "Pianíssimo" by Tim Rescala.
Carolina holds a bachelor's degree in singing from UFRJ, where she studied under the guidance of Homero Velho. She is currently a member of the Chorus at the Theatro Municipal do Rio de Janeiro.
CRÍTICAS
"Carolina Morel tem um timbre lindo em todos os registros, uma voz que flui facilmente, preenche o teatro e possui uma delicadeza que ela imbui com cores escuras quando necessário."
João Luiz Sampaio, 2023 Concerto.com
"...ela apresentou um material digno de respeito: uma bela voz, que parecia possuir todos os atributos necessários para o desenvolvimento. Sua presença é encantadora, o que resultou em uma ótima performance no palco."
Leonardo Marques, notasmusicais.com
REPERTÓRIO DE ÓPERA
