Camila Provenzale
soprano
“…además posee presencia escénica y una hermosa voz… fuerte, con un tono encantador, un tono seguro y una excelente proyección”.
Los pescadores de perlas - Leila
SIGUE
TERRITORIO
Latinoamérica - exclusivo
BIO
Camila Provenzale, soprano italo-brasileña nacida en São Paulo y residente en Zúrich, ha actuado con importantes orquestas y en importantes salas de conciertos y teatros de ópera de todo el mundo.
Camila fue una de las ganadoras del Concurso Internacional de Canto Neue Stimmen en Alemania y obtuvo el primer premio en el Concurso Maria Callas en Brasil. También ganó el Concurso de la Ópera de París en el Théâtre des Champs-Élysées de París, fue galardonada en el Concurso Giusy Devinu en Cagliari, Italia, y representó a Brasil como finalista en el Concurso de Cantantes del Mundo de la BBC en Cardiff , Gales.
Debutó en Francia en 2017 como La condesa Almaviva (Las bodas de Fígaro) en la Ópera de Tolón , año en que interpretó las Bachianas Brasileiras n.º 5 de Villa-Lobos en el Teatro Real de Madrid. En 2018 y 2019, fue invitada regularmente a cantar con Plácido Domingo en conciertos en Liubliana, Estrasburgo, Valencia, Boston y Aarhus.
Desde entonces, Camila ha desempeñado diversos papeles como Donna Anna (Don Giovanni) en el Théâtre des Champs-Élysées, París; Hanna Glawari (La viuda alegre) en el Teatro Municipal de São Paulo; Micaëla (Carmen) con Opera North en Leeds, Inglaterra; Mariana Alcoforado en el estreno mundial de la ópera monodrama Cartas Portuguesas de João Guilherme Ripper con la Orquesta Sinfónica del Estado de São Paulo (Osesp) en la Sala São Paulo; Fiordiligi (Così fan tutte) en el Festival de Ópera de Garsington en Londres; y Bachianas No. 5 (Villa-Lobos) con el K Ensemble en Dubai para la Fundación Cartier, entre otros.
Camila también es reconocida por su musicalidad única en el repertorio sinfónico, habiendo cantado todas las sinfonías de Mahler, Carmina Burana, y muchas obras de Beethoven, Mozart, Villa-Lobos, así como de compositores contemporáneos.
En 2022 y 2023, en conmemoración del 200 aniversario de la independencia de Brasil, Camila actuó con los proyectos de la Suite de la Selva Amazónica de Villa-Lobos con prestigiosas orquestas de varios países, entre ellas la Filarmónica de París, la Opernhaus de Zúrich, la Orquesta Nacional de España, la Ópera Nacional de Burdeos y una actuación con la Osesp en el Carnegie Hall de la ciudad de Nueva York.
RESEÑAS
".... she also possesses stage presence and a beautiful voice... strong, with a lovely tone, secure pitch, and excellent projection."
Concerto Magazine
Fabiano Gonçalves, October 2015
"There are also striking turns from Camila Titinger, who brings real pathos to the part of Micaela—the woman abandoned by José in favour of Carmen."
British Theatre Guide
James Ballands, October 2021
"…. Micaela - a performance of infinite colour from soprano Camilla Titinger."
Ilkey Gazette
Geoffrey Mogridge, October 2021
"Her more conventional rival, Micaela – here pregnant with Don José’s child, though his interest in her is minimal – receives an impressively lyrical interpretation from Camila Titinger."
George Hall, October 2021
The Stage
"Throughout, he sets her upon an earnest mission to deliver sorrowful messages to Don José from his dying mother. She sings her arias most beautifully, with an almost Puccinian rapture, the stamp of unconfined lyricism marking her entire performance."
Leeds Living
Tom Tollet, October 2021
"...and Camila Titinger’s soft-toned Micaëla has power where it counts."
The Guardian
Erica Leal, October 2021
"Soprano Camila Titinger played Micaela with considerable force and subtlety, the pathos very apparent whenever she appeared."
Richard Wildocks, October 2021
Yorkshire Times
"Camila Titinger, the Italian-Brazilian soprano, has a lovely voice and succeeded well in being the spurned and heavily pregnant Micaela."
Bach Track
Richard Trinder, October 2021
Mature Times – The voice or our generation
"...Camila Titinger caresses her bump for extra pathos as she sings her main aria so beautifully!"
Eileen Caiger Gray, October 2021
"...firm, with a beautiful timbre, secure pitch, and excellent projection. Her second act aria, Comme autrefois, was beautifully interpreted, but her great moment was the following duet with the tenor: lyrical, vibrant, passionate. And there was also the great scene with Zurga in the first part of the final act (Je frémis, je chancelle), which the soprano faced with bravery. At the moment of applause, her gesture of kissing the stage was beautiful. Camila Titinger is an artist to be watched with great attention."
Les Pêcheurs de Perles (Leïla), Opera Festival of Teatro da Paz, BelémAsk ChatGPT
Leonardo Marques, September 2015
Concerto Magazine
"Lyrical soprano voice with seductive high notes and consistency throughout its range."
La Clemenza di Tito, Theatro São Pedro, São Paulo
Ali Hassan Ayache, February 2015
Movimento Website
"The young soprano Camila Titinger, who played the priestess Leila, displayed a beautiful voice and good presence. Titinger knew how to integrate well with the renowned Portari and Neiva, demonstrating personality and great artistic potential."
Les Pêcheurs de Perles (Leïla), Opera Festival of Teatro da Paz, BelémAsk ChatGPT
Nelson Rubens Kunze, September 2015
Concerto Magazine
Mozart’s terrifying opera buffa isn’t just playing it for laughs
"The Commendatore’s daughter, Donna Anna (Camila Titinger), sang elegantly, becoming stronger and more impassioned in her final two arias “Crudele? Ah! No mio bene” and “Non me dir”."
Maureen Idowu
Simone Menezes con la Orquesta Nacional de España por «A floresta do Amazonas»
"The soprano Camila Provenzale dazzled and pleasantly surprised. She was a discovery. This was not a score for a display of fireworks. Nevertheless, the characterization and the exoticism with which she colored her voice were prodigious, absolutely enveloped in the poetic image of the piece. There is in her art an underlying idea of warmth that is extremely difficult to achieve. After her first intervention halfway through the work, with a tender and innocent song that spoke of sailboats and the swaying of waves, the emotional audience interrupted the transition to the next movement with long and sincere applause. How beautiful."
Enrique Montesdeoca Lagares, October 16, 2023
"[...] renosing it into a more practical 45-minute symphonic suite with soprano (Camila Provenzale: dreamily wistful in Canção do amor)."
Amazônia
Claire Jackson, October 2023
Villa-Lobos: Suite Floresta do Amazonas review – a hymn to the abundance of the rainforest
"But even in this abridged version it is hard to resist the scope of the work and its moments of intense beauty particularly in the vocal movements, rapturously sung by Camila Provenzale – while stylistically it encapsulates much of the history of music in the first half of the 20th century in a very distinctive way."
Andrew Clements, September 2023
So notwendig und so schön
"Often, singing also came into play, offered by soprano Camila Provenzales with round volume and beautiful breadth."
Frankfurter Rundschau
Bernhard Uske, September 2024
Monumental und doch zerbrechlich
"The Brazilian conductor Simone Menezes, who in close collaboration with Salgado adapted the suite, shortened from 75 to just under 45 minutes for the project, also brought out many subtleties and more advanced elements with the excellently prepared hr-Sinfonieorchester and the soprano Camila Provenzale, who was required in three songs. The monumental sections at first perfectly complemented Salgado's often helicopter-shot wide-angle views, taken under dangerous weather conditions, with powerful cloud formations and reflections in the water, mountains, waterfalls."
Frankfurter Allgemeine Zeitung
Guido Holze, September 2024
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