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Aníbal Mancini

tenor

Rossiniana hasta la médula, esta voz resonó maravillosamente a lo largo de toda la ópera, con asombrosa maestría técnica, impecable agilidad y un timbre hermoso. La cavatina del Conde Almaviva, «Ecco, ridente in cielo», y la canción antes mencionada [...] fueron interpretadas con extrema precisión y una expresividad inigualable.

El barbero de Sevilla

Teatro Municipal Río de Janeiro, 2022

Fabiana Crepaldi, notasmusicais.com

SIGUE
TERRITORIO

Latinoamérica - exclusivo

BIO

<p class="font_8">Aníbal Mancini es un tenor lírico ligero, conocido por la agilidad de sus coloraturas, la belleza de su timbre, su rico fraseo y sus precisas interpretaciones.</p><p class="font_8"><br></p><p class="font_8"> Recientemente se presentó en el Teatro Comunale di Bologna como <strong>Don Ramir</strong> en la ópera La Cenerentola, en el Teatro Civico de Castello de Cagliari como <strong>Narciso</strong> en la ópera L'Ape Musicale, en el Teatro Municipal de São Paulo como <strong>Ferrando</strong> en la ópera "Così fan tutte", en el Teatro Solís de Montevideo como <strong>Almaviva</strong> en la ópera "El barbero de Sevilla", en el Festival de Ópera de Amazonas como <strong>Acis</strong> en la ópera "Acis y Galatea", en el Teatro Municipal de Río de Janeiro y en el Teatro São Pedro en la ópera "Don Quichotte" de Massenet (Rodríguez). Otras representaciones incluyen " <strong>El Mesías</strong> " de Handel en el Teatro Municipal de Río de Janeiro y en el Palacio de las Artes de Belo Horizonte, el concierto de gala de Rossini, "Los esponsales en el monasterio" de Prokofiev ( <strong>Antonio</strong> ), "Falstaff" de Verdi ( <strong>Fenton</strong> ), "La donna del lago" de Rossini ( <strong>Uberto</strong> ), "El barbero de Sevilla" de Rossini ( <strong>Conde Almaviva</strong> ), G. Puccini. "Gianni Schicchi" ( <strong>Rinuccio</strong> ).</p><p class="font_8"><br></p><p class="font_8"> También cantó la ópera "El Niño y la Libertad" ( <strong>Rapaz</strong> ) de Ronaldo Miranda, dio vida al papel de <strong>Hipólito</strong> en el estreno mundial de la ópera "Fedra e Hipólito" de Christopher Park en el Palácio das Artes de Belo Horizonte, participó en la ópera concierto "L'oro non compra amore" de Marcos Portugal, e interpretó arias de Rossini en el concierto "Noche de Bel Canto" con la OSB Ópera y Repertorio en el Teatro Municipal de Río de Janeiro.</p><p class="font_8"><br></p><p class="font_8"> Su repertorio también incluye "Dido y Eneas" de Purcell, "A Hand of Bridge" de S. Barber, "Christmas Matins" de JM Nunes Garcia, Cantatas de JS Bach, "Il Tabarro" (Tinca), "Pigmalión" de Rameau, y más.</p><p class="font_8"><br></p><p class="font_8"> Aníbal fue uno de los ganadores del XI Concurso María Callas en 2011, y en 2013 fue nombrado Revelación Lírica por el Blog de Ópera y Ballet.</p>

RESEÑAS

"He had already interpreted the same role in 2013, and his vocal qualities then foreshadowed the evolution heard yesterday: an artist reaching the highest poetry thanks to his poetic musicality, the beauty of his timbre, and the fluidity of the melodic line. He also possesses the conditions for a promising international career." Falstaff (Fenton), Theatro Municipal de São Paulo concerto.com.br 2014 "...the young man excelled in the high notes and displayed a lyric tenor timbre of great grace." The Boy and Freedom (Boy) Theatro São Pedro Portal Luis Nassif 2014 "...tenor Anibal Mancini portrayed Don Antonio with excellence, and his serenade in the first act was one of the highlights of the evening when the artist could showcase the beauty of his timbre, the precision of his tuning, and the richness of his phrasing." The Marriage of Figaro (Don Antonio) movimento.com "Thus, from a vocal point of view, the performance belonged to tenor Aníbal Mancini as Tybalt, with special attention to the phrasing, built in a very musical way." 'Romeu e Julieta' João Luiz Sampaio, April 2022 concerto.com.br "Having tenor Anibal Mancini as Beppe is a luxury – and his aria was one of the most sophisticated musical moments of Sunday afternoon's performance." I Pagliacci João Luiz Sampaio, June 2022 concerto.com.br "The tenor Anibal Mancini, who is a little bird, was born for the role of Harlequin – it was easy to wish that his small aria would last half an opera, so perfect is his timbre for the role." I Pagliacci Danielle Crepaldi Carvalho, June 2022 notasmusicais.com "And, finally, him, the tenor himself. After all, what is the voice of Anibal Mancini? Rossinian to the core, this voice ran marvelously throughout the entire duration of the opera, with astonishing technical mastery, impeccable agility, and a beautiful timbre. The Count Almaviva's cavatina, 'Ecco, ridente in cielo,' and the previously mentioned song, accompanied on the guitar by the baritone, were performed with extreme precision and unparalleled expressiveness." Il Barbiere di Siviglia at Theatro Municipal do Rio de Janeiro Fabiana Crepaldi, 2022 notasmusicais.com "Among the voices, as has long not been seen at the Municipal, there is remarkable balance. These are singers who share attention to the text and a careful sense of style. [...] the delicacy and attention to legato of Aníbal Mancini (Ferrando)." Cosi fan tutte João Luiz Sampaio, March 2023 concerto.com.br "...he possesses a privileged lyric-light tenor voice, as he demonstrated in Ferrando's aria in the first act, Un aura amorosa." Cosi fan Tutte Theatro Municipal de São Paulo Leonardo Marques, March 2023 notasmusicais.com "The singer chosen for the TMRJ production, the excellent Anibal Mancini (a lyric-light tenor) displayed, as usual, his perfect intonation." L'isir d'amore Theatro Municipal do Rio de Janeiro Leonardo Marques, April 2024 notasmusicais.com "Don Ottavio by Anibal Mancini is of enormous elegance in the construction of phrases." Don Giovanni Theatro Municipal de São Paulo João Luiz Sampaio, May 2025 concerto.com.br "Tenor Anibal Mancini (02) offered a vocally consistent performance as Don Ottavio, with beautiful interpretations of his two arias, Dalla sua pace and Il mio tesoro intanto." Don Giovanni Theatro Municipal de São Paulo Leonardo Marques, May 2025 notasmusicais.com

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