Sarah Migliori is a Brazilian mezzo-soprano, winner of the First Prize and the award for interpretation of Brazilian chamber music at the Barcelona Festival of Song (2024) and Third Prize at the VI Concurso Lumen Artis (2024).
In 2025, she debuts at the Teatro Colón in the Mozart Gala with the Academic Orchestra of the Instituto Superior del Teatro Colón under the baton of Javier Mas, and at the Theatro Municipal de São Paulo as soloist in Prokofiev’s Alexander Nevsky. She also performed Rosina in Il barbiere di Siviglia with the orchestra of the Rossini Festival of Pesaro in Mercatello sul Metauro.
Recent engagements include her debut in Mozart’s Requiem (Teatro Avenida, cond. Ricardo Sciamarella), the opening of the “Mediodías en el Dorado” series in the Golden Hall of the Teatro Colón, the French operetta concert Bon Voyage directed by Lisandro Nesis (AR-FR), and solo appearances with orchestras in Ribeirão Preto, Minas Gerais, and Santa Catarina.
In Brazil, she made her debut at the Teatro Guaíra as Cherubino in Mozart’s Le nozze di Figaro, and has performed as Grandmother D. Anna in Ernst Mahle’s A Moreninha, the Second Lady and Third Lady in Mozart’s Die Zauberflöte, and Prince Orlofsky in J. Strauss’s Die Fledermaus.
She has taken part in world premieres of contemporary operas, including Ritos de Passagem (Flo Menezes, 2019) and Artista Ex-Machina (Esteban Insinger, 2023, libretto by Nicola Constantino) at the Experimental Centre of the Teatro Colón, performing both as a soloist and as a member of the vocal ensemble.
Sarah holds a Master’s degree in Performance from UNICAMP, a degree in Classical Singing from the Instituto Superior del Teatro Colón, and a Bachelor’s degree in Composition and Conducting from the Paraná State University (UNESPAR)